Description
Awarded the prestigious Music Industries Association Award in 2006 for Best Pop Publication, Tim Richards’ Exploring Jazz Piano was the long-awaited follow-up to his acclaimed Improvising Blues Piano, also published by Schott. The overall level is somewhat higher, and would suit pianists of Grade 4 standard and above.
Play-along tracks are also included, in which the piano is panned to one speaker, providing rhythm section accompaniment if desired by turning the amplifier’s balance control. Copious examples of improvisation are accompanied by numerous assignments, with guidance to hand on every page. The practical covered spiral binding protects the books as well as enabling them to lie flat on the music stand. Exploring Jazz Piano fills a vacuum in jazz piano instruction, its comprehensive syllabus taking the reader from first principles in Vol. 1 to professional level in Vol. 2.
Any student of jazz piano, piano teacher, or performing musician dipping into either volume will be rewarded with a wealth of ideas and practical information to keep them occupied for many months, or to use as an ongoing resource in the years to come.
Vol. 2 deals with more complex and colourful harmony, from suspended fourth, sharp eleven and thirteenth chords to diminished and altered scales. Advanced voicing, accompaniment and improvisation techniques are examined in detail, including the following topics: Quartal harmony, modal improvisation, long and short II – V patterns, altered dominant chords, polychords, stride piano, Bossa Nova clave and Partido Alto, Lydian and Locrian modes, how to make scales swing, building bebop lines, R235 patterns, the b3 pentatonic scale, Rhythm changes, turnarounds, minor II – V – I, playing in 3/4 time, playing in double-time, tension and release, transcribing, practice routines. 32 pieces by the author appear alongside special arrangements of well-known jazz standards, including Beautiful Love, Blue Bossa, Blue in Green, Caravan, Impressions, Ladybird, Misty, On Green Dolphin Street, Softly as in a Morning Sunrise, Summertime, Tune Up and Yesterdays.
Also included are transcribed solos by Oscar Peterson, Wynton Kelly and Hampton Hawes.
