Description
Beethoven’s famous concerto for Violin and Orchestra has appeared in many editions over the last 150 years, but none has truly done justice to the work. Now, the acclaimed Beethoven scholar Jonathan Del Mar has achieved justthat.
Working with all known sources, Del Mar finally presents us with Beethoven’s intended solo Violin articulation, dynamics and slurring; there are even note corrections in the solo part. Additions made by variouseditors and violin players over the years have been deleted. For the first time we also now have clarity regarding the meaning of Beethoven’s Solo and Tutti markings.
All in all, a groundbreaking scholarly-criticaledition;a must have for every violin player, orchestra and music library.