Description
Nineteen studies selected by the ABRSM. Including works by Henri Bertini, Cornelius Gurlitt and Felix Le Couppey.
Contents:
- The Thumb as Soloist – Gurlitt.
- Syncopation – Stamaty, Op. 37 No. 12.
- Tone Gradation and Evenness of Note Successions – Hennes.
- Speed and Steadiness – Kohler, Op. 63 No. 1.
- Turning the Fore-Arm Easily – Bertini, Op. 100 No. 13.
- Avoiding Continuous Thumb Pressure – Duvernoy.
- Phrasing and Slurs – Mayer, Op. 340 No. 2.
- Finger Fluency – Le Couppey, Op. 20 No. 15.
- Finger Control – Kohler.
- Playing Two Melodies Together – F. Wohlfahrt, from Op. 36.
- Contrasts of Tone Quality – Bertini, Op. 29 No. 18.
- Tied Notes – Lemoine, Op. 37 No. 38.
- Double Notes – Burgmuller, Op. 100 No. 4.
- Using the Thumb Lightly – Loeschhorn, Op. 65 No. 47.
- Slurs and Key-Rebound – Stamaty, Op. 38 No. 2.
- Broken Chords – Berens.
- Semitones – Gurlitt, Op. 82 No. 99.
- Turning the Fore-Arm Freely and Swiftly – Lemoine, Op. 37 No. 40.